Extravaganza Lithuania
Experimentations ends as a mixture of sharp black metal and blackgaze interludes built using unusual and complex constructions and noisy motives. Lyrics explore controversial topics and characters compulsive to their own actions and excesses.
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III: Trauma
by Harakiri for the Sky
supported by 8 fans who also own “Aš Esu / I Am”
The subtle melancholic atmosphere created by M.S. and J.J. is some of the best atmospheric story telling i have ever heard in music and there is a reason this album is my favorite.
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supported by 7 fans who also own “Aš Esu / I Am”
A true melancholic black metal masterpiece! Awesome mix of black metal and melodic and slow elements, Scherben is my favorite on this record. 15 minutes, sit down and take it in.
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Umbras de Barbagia
by Downfall of Nur
supported by 7 fans who also own “Aš Esu / I Am”
After listening to Ysyry Mollvün, listening to Downfall of Nur was urgent and turned out to be one of the best decisions I have made in quite some time: Umbras de Barbagia is simply magisterial; the atmosphere can hardly be compared to anything else. There is a deep, palpable connection to nature imbueing each very fibre of this record. The amalgamation of black metal and folk elements is done with a high intuition for detail and class, resulting in a highly immersive experience. Wonderful.
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Indifferent Rivers Romance End
by Wreck and Reference
Wreck and Reference expand on their metal base to deliver a masterfully-wrought album of pain and desperation.
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Immersion Chamber
by Lunch Money Life
The London band gazes upon the apocalypse with awe rather than dread.
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Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs.
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Thrice Woven
by WOLVES IN THE THRONE ROOM
supported by 7 fans who also own “Aš Esu / I Am”
Oublier le monde qui se trouve autour de vous, projeter son esprit autre part. Wolves in the Throne Room a toujours eu une façon singulière de nous faire voir les choses sous un autre angle bien plus grand. Thrice Woven part en des temps immémoriaux dans laquelle la Nature est exaltée ("The Old Ones are With Us"), les mythes — nordiques ? — célébrés (qui d'autre que Anna von Hausswolff et sa voix magnifique pour faire ça ?) avec un black metal rapide qui s'inspire de la vague finlandaise.
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